Classical Guitarist Reacts: Monte Montgomery’s INSANE Acoustic “Little Wing” Cover

I’m excited to dive into this reaction because it’s one I’ve been looking forward to. This performance was suggested by someone in the community, and I’m glad I picked it.

I love discovering new artists and seeing how they approach music, especially when it’s something I haven’t experienced before. As a guitarist, I always pay close attention to technique, tone, and the little details in a performance.

I also enjoy how these reactions bring people together. The comments, suggestions, and shared excitement make this more than just watching a video—it feels like we’re all part of the same conversation.

Key Takeaways

  • The performance delivered impressive guitar skill and creativity
  • Smooth transitions between different playing styles stood out
  • Community suggestions help shape what I react to next

Background on Monte Montgomery and Little Wing

Who Is Monte Montgomery

I’ve seen Monte perform many times, and every show feels fresh. At his concerts, I notice other guitar players in the crowd watching with open mouths, smiling, and shaking their heads.

It’s like we all share a quiet understanding of how skilled he is. Monte’s playing blends solo lines with chord work in a way that feels natural.

He uses techniques like hybrid picking, fingerpicking, and harmonics with ease. Sometimes it even reminds me of classical guitar, but with a freer, more improvised feel.

About Little Wing

This performance of Little Wing runs about 10 minutes. Monte moves from electric-style distortion to pure acoustic tone without breaking the flow.

The acoustic guitar sound is warm and clear, and he uses harmonics often to add sparkle. I enjoyed the camera angles where I could see both of his hands.

That’s when you can really appreciate how he uses his right hand for intricate picking patterns while his left hand moves quickly across the neck.

Why This Performance Stands Out

The ending completely caught me off guard. Monte lowered the bass, then suddenly broke multiple strings while still playing.

Metal strings can hurt when they snap, but he kept going with intense energy. What impressed me most was how clean and fast his playing stayed, even during chaotic moments.

The mix of precision, speed, and smooth transitions made this one of the most intense performances I’ve watched.

Viewer Suggestions and Community Engagement

Origin of the Video Request

This reaction came from a suggestion by reton5752. They left their request under my Ted Nugent reaction video.

Their comment included a long message about seeing Monte Montgomery live 7–8 times and how each show felt full of energy and connection between guitarists.

How Requests Are Chosen

I get a lot of comments every day, so I often have to scroll far down to find older ones. Most of the time, I choose requests randomly from the comments.

If you want your request to reach me more directly, you can use oop VY (link in the description).

On oop VY:

FeaturePurpose
Free submissionSend in song requests at no cost
Voting systemDecide which request gets picked next
Category tabsKeep requests organized (e.g., Guitar, Progressive)

This helps keep things from getting lost in the flood of daily comments.

Building a Music Community

I read as many comments as I can, even if I can’t reply to all or give them a heart. The best part is seeing people connect, talk, and share their love for music.

We’re all here to enjoy songs together, discover new artists, and learn from each other. As a classical guitarist, I enjoy exploring music I’ve never heard before.

It’s fun to share my reactions while others share their thoughts, making this space feel like a real music community.

First Impressions and Setup

Initial Thoughts

I’m reacting to Monte Montgomery – Little Wing (Acoustic) today, thanks to a suggestion from reton5752. He mentioned he’s seen Monte perform 7–8 times and that the shows always leave people amazed.

That got me curious right away. I love discovering new artists, especially as a classical guitarist.

It’s exciting to see different styles and techniques, and I’m looking forward to seeing how Monte approaches this piece.

Preparation for the Reaction

Before starting, I made sure my recording setup was ready. This is a 10-minute video, so I wanted everything to run smoothly without interruptions.

I scrolled through a lot of comments to find this request. Most of the time, I pick randomly because so many people share suggestions.

I also keep things organized with a request system where people can submit and vote for songs.

Setup checklist:

  • ✅ Camera and audio recording on
  • ✅ Video loaded and ready to play
  • ✅ Guitarist mindset engaged for detailed observation

Now, with everything ready, I can focus on the performance and enjoy the music.

Performance Highlights

Unique Guitar Techniques

I noticed how he often used fingerpicking instead of just a single pick. Sometimes he combined a pick with his fingers, creating a hybrid picking style.

I loved the moments when the camera angle showed both of his hands so clearly.

Techniques I saw:

  • Fingerpicking runs
  • Hybrid picking
  • Smooth switch between electric-style distortion and acoustic tone

Use of Harmonics and Modulations

He used harmonics beautifully and very often. The mini modulations he played gave the song a fresh feel each time.

I enjoyed how these changes felt natural and kept the flow going.

ElementMy Reaction
HarmonicsClear and bright
ModulationsSmooth and interesting

Energy and Stage Presence

His energy built up throughout the performance. By the end, he played with so much intensity it almost felt chaotic—but still controlled.

It amazed me how he kept that speed and precision without losing the groove.

What stood out to me:

  • Fast, clean runs
  • Confident transitions
  • Strong connection with the audience

String Breaking Moment

Near the end, he broke multiple strings. It looked painful since they were metal strings, but he kept going.

That moment surprised me and showed just how much adrenaline he had on stage.

My thoughts in the moment:

  • “Please don’t break the guitar!”
  • “How did he even manage to break them all?”

Technical Analysis

Transition from Electric to Acoustic

I loved how smooth the change from electric with distortion to acoustic felt. The sound stayed full and rich, but the acoustic gave it a warmer tone.

Key details I noticed:

  • No drop in energy during the switch
  • Acoustic tone kept clarity in fast runs
  • Chord voicings stayed consistent across both sounds
AspectElectricAcoustic
ToneSharp, drivenWarm, clear
FeelEdgy, aggressiveOpen, resonant

Fingerstyle and Hybrid Picking

A lot of the phrases came from using hybrid picking — a pick plus fingers. Sometimes he skipped the pick and used only fingers for single-note lines.

  • Harmonics were clean and frequent
  • Right-hand movement stayed relaxed even in fast parts
  • Fingers added depth to chords while the pick hit melody notes

Example technique flow:

  1. Pick strikes main note
  2. Fingers pluck harmony notes
  3. Harmonics ring to finish the phrase

Improvisation and Memory

The speed and variety made me wonder how much was memorized and how much was improvised. It felt free but still precise.

  • Long, fast passages stayed accurate
  • No clear mistakes except when the strings broke
  • Balance of solos and chord work kept the piece moving

I can memorize hours of classical pieces, but this kind of chaotic, high-speed playing with shifting ideas is another level. It’s impressive to watch and hard to imagine doing without losing track.

Personal Reflections

Comparisons to Classical Guitar

As a classical guitarist, I noticed many elements that felt familiar. He mixed solo lines with chord accompaniment in a way that reminded me of classical textures.

I loved how he used harmonics — something I often use in classical pieces — but here they sounded brighter and more percussive. The smooth shift from an electric distortion feel to pure acoustic tone was impressive.

That kind of transition is rare in my own playing style.

Challenges of Fast Playing

Watching him play so many notes at such speed made me wonder how he kept it all organized in his head. In classical music, I can memorize hours of repertoire, but this looked part planned, part improvised.

Here’s how I see the difference:

Classical GuitarWhat I Saw in This Performance
Fixed scorePossible improvisation
Even tempoSudden bursts of speed
Controlled toneWild, aggressive attack

I can’t imagine breaking strings mid-performance and still keeping the energy going like that.

Emotional Impact of the Performance

The ending hit me hard. One moment it was beautiful chord work, the next it was pure chaos.

I felt a mix of excitement and shock when he started breaking strings. It was intense enough that I’m sure I’ll remember — and maybe even dream about — that closing moment.

Community and Channel Information

How to Submit Requests

I get a lot of comments every day, so it’s easy for requests to get lost. Most of the time, I pick them randomly.

If you want your song request to reach me more directly, you can use VY.

  • Free to use
  • Vote on which request should be next
  • Organized tabs like Guitar and Progressive to keep things neat

This helps me find your request faster and keeps everything from getting buried in the comment section.

Patreon and Early Access

I have a Patreon where you can watch my videos before they go public. Right now, I have about 40 videos ready for early access.

On Patreon, you can:

  • Watch before anyone else
  • Like and comment early
  • Use Express Requests for faster song reactions

Encouraging Engagement

I read comments as often as I can, even if I can’t reply or give a heart to all of them. I love when people connect in the comments and talk about the music.

We’re building this community together by sharing reactions, thoughts, and new artists we discover.

Conclusion and Final Thoughts

I really enjoyed watching this performance. The smooth switch from electric with distortion to acoustic felt natural and sounded beautiful.

Harmonics stood out to me. The way he blended them into the music showed great control.

His right-hand work amazed me. Using a hybrid pick-and-finger style, he played both fast runs and rich chords without losing clarity.

Sometimes it even reminded me of classical guitar techniques, but with a freer, more improvised feel.

The ending caught me off guard.

MomentMy Reaction
Smooth electric-to-acoustic changeLoved it
Harmonics and modulationBeautiful
String-breaking finaleIntense and surprising

Watching him keep such precision at high speed made me wonder how he remembers or improvises so much.

I didn’t notice any mistakes until the strings broke, and even then, he kept going with full energy.

author avatar
Jone Ruiz
Jone is a classical guitarist that is creating video game music covers on guitar. He is a holder of a Master’s degree from the University of Wisconsin Milwaukee and also attained a Bachelor’s Degree in Classical Guitar from the Interamerican University.

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